The personal authentic travels of a world-wide drifter, you'll always see pics of me at the locations being described (if the other blogs you're reading don't do that, odds are they were NEVER there, just saying…)
In a similar way to the tiny rural town of Riverside, Iowa (Population 993), having its monument in honor of the future birth of Star Trek‘s James T. Kirk, the slightly larger rural town of Taihape, New Zealand (NZ), population 1,730, has a giant “Gumboot” (Kiwi for a rubber boot) in honor of its fictional hometown TV character, a farmer by the name of Fred Dagg.
Created by a NZ satirist by the name of John Clarke, in the 1970’s, the Dagg character — known for wearing his Gumboot’s 24 hours a day (even in bed and in the shower) was designed to represent and make fun of the stereotypical NZ farmers, who lived in NZ’s stereotypically isolated farming towns.
Once he unveiled Dagg on national TV in 1975 the character made Clarke a national star. And as he had chosen Taihape as that hometown for his character, and the town owned that claim to fame with a will. Not only have they declared themselves the Gumboot Capital of the World, but they also have a yearly Gumboot Day, where contestants compete to see who can throw a gumboot the farthest, and who can wear them and look the dashing while doing it.
If you are in Sydney Australia, have seen all the outdoor options, and/or are at a loss of what to do on a rainy day, I suggest visiting the Powerhouse Museum of applied arts and sciences housed in the converted Ultimo Power Station at 500 Harris Street, especially if you’ve got young kids.
Initially commissioned in 1899, and opened for use in 1902, the building used to house the power station for electric trams, and was a functioning power plant till 1963.
The Museum’s collection, began with the contents of the Sydney International Exhibition of 1879 (the first World’s Fair to be held in the Southern Hemisphere), and then grew over time… and has been bounced around a number of different locations before finding its exhibition space in this building in 1988, although it is no where large enough to exhibit the entire collection.
I learned this when blogging about Harry’s Café de Wheels, a 70-year-old Sydney pie-shop chain (as in meat pies) considered so iconic to Sydney that its original food cart is kept on mothballs by the Powerhouse, but not displayed… because they simply haven’t got the room.
The first time I was in Sydney, back about a month after my massive concussion, one of my traveling buddy’s girlfriends came to Sydney. One rainy day he took her to the powerhouse, while I stayed in bed resting — the post concussive syndrome was still intense at that point. He had been really excited about taking us because it was one of his favorite memories from having grown up in Sydney, and he wanted to share it with us. When they got back I asked her, out of his ear shot, “so how was it?” And she was like, “it was ok, but not great. I mean it was nice doing it with him cause he got all excited with childhood memories… but … you know…”
Overall, I have now spent three months total in Sydney, and have deemed it to be on the whole …. underwhelming; and this museum held true to that trend. To borrow a quote from Toptenz.net, “the fact that the Sydney Opera House is such a focal point of the city’s depictions might hint, to the analytical mind, that perhaps this is the case because there is really little else that is all that remarkable in Sydney.” And, as that article also points out, while said Opera House looks amazing from the outside, it has no shortage of design/acoustic flaws on the inside, so you’re not going to want to travel all the way there to enjoy a show when there are so many other better venues, acoustically. That said, while I thought the Powerhouse building was really neat, and I’m a big fan of retrofitting historic buildings to new purposes, the reality is that this building’s layout really isn’t conducive to exhibiting the kind of things they’ve got on show. And the lack of useful floor space means much of what they own is left sitting in storage, where visitors and locals can’t enjoy it.
That, and what they have on display is kind of underwhelming. Overall, it doesn’t hold a candle to the Science and Industry museums in Manchester, UK or Chicago, IL … nor to the Exploratorium in San Francisco. If it were in some small town somewhere it would have been a LOT more impressive, but in the middle of a major international city like Sydney, I expected better.
Maybe the only part of the museum that really excited me in any way was their Mars Lab (a friend of mine actually is the head of designing the experiments that go on the Mars rover so I feel a connection to it) … but otherwise it really didn’t do it for me.
HEY, if you’re already there, and you’ve got the kids, and it’s not a good day to go to Bondi Beach, or any other sort of outdoor activity… it’s something to do…There are more than a few areas of the museum that kids will enjoy, and of course its an indoor activity for rainy days
Like I said, Sydney, in NOT just MY humble opinion, after a few days quickly becomes kind of a major let down — there are other places you’ll probably want to go BEFORE the Powerhouse. Start googling “overrated cities of the world”, and Sydney shows up on quite a few of those lists. But the reality is that after about a one week stay, if you’ve been maximizing your time and not just hanging out at the hotel room (like I tend to do) you’re going to start finding yourself so desperate for things to do, and so willing to start scraping the bottom of the barrel so to speak … this is the point when you might want to consider taking the kids to see the Powerhouse Museum…
For the most part, what motivated me to drag my ass to the Powerhouse, — after the bleh review from my friend, was that during my second stay in Sydney it was hosting an exhibition that utilized The Star Wars Movies … as a platform for educating viewers about how our characters develop overtime as a result of multiple influences including genetic, environmental, choices, mentors, etc., but let’s be real, they had me at Star Wars… anything after that was just icing on the cake.
Rather than being an exhibit which you passively experienced, it was set up like a video game. The educational components utilized characters and paraphernalia on loan from George Lucas’ museum collection, i.e., STUFF that he has that’s left over from the making of the films. In all likelihood it’s part of what would have been housed in a museum in Chicago, had the city (i.e., my people) been willing to stick a museum dedicated to him and his creations in what is a claim to fame public park land that runs the length of the city along the lakefront, but in a location right between the middle of downtown and the water (he refused all other spots, even one along the lake front on the far south side of the city, where development is needed — nope he wanted to be RIGHT in the middle of downtown, where we’ve already got way to much traffic). San Franciscans likewise rejected his demands, which were equally ridiculous, and ultimately he ended up breaking ground in Los Angelus (where he had NOT wanted it to go).
I’m guess that since it does not yet have a HOME, his collection had been broken up into multiple traveling exhibits, and this is one of them. If it comes to a town near you, you can come and either enjoyed the lesson (which I found a bit boring, and at times questionable in what it was preaching), on how we develop as individuals…. or you can just enjoy looking at all the costumes and stuff… which is what I did.
Like I said the exhibit was highly interactive. On arrival each of us was given a bracelet, and an audioguide unit, which has a sound-wave dish on it, that we wore on a lanyard over our chests with the dish facing out; each of which came with an earpiece. They then tried to explain to us as a group, how to use it — but that explanation was actually very rushed and confusing (whoever came up with this system deserved a spanking).
With this system, where you’re standing and what you’re facing determines what you hear — assuming you’re in range of a transmitter, and the audio device you’re wearing is working right… which a lot of the time it wasn’t. If you weren’t listening to individual narratives in your earpiece what you heard was soundtracks from various Star Wars movies playing in the background. That said, it wasn’t one of those systems where you key in a number and a track plays, rather you had to stand exactly where they wanted you to (these sound areas were clearly marked, see below) where your unit would then pick up the audio signal.
But there was any number of issues with the sound devices themselves. The first one they gave me didn’t work, as in it was on and I was standing where I needed to be, and I STILL wasn’t hearing anything. They first switched out the earphones, still no good… So they replaced it with a second device … Which worked, but as I walked through the exhibit I was noticing that my sound was glitchy and realized that the wires in the earphones were shorting, so I had to futze with that, wiggling it this way or that… or no sound.
So the devices had issues, AND the attached earphones were also having issues. This was particularly problematic for folks with small children a few of whom were complaining…. VERY loudly, “DAD I can’t hear anything!!” which was annoying the parents — and every one else.
From what I saw, most parents never really took the time to figure out why their kids could not hear– as in, “well mine works, so you must be using it wrong.” But of course it wasn’t the kids fault, it was the technology.
What I couldn’t understand was, WHY did the show’s designers went with this old fashioned system of individual units with ear pieces, each of which can break down for a myriad of reasons, rather than a sound system like I saw at theComputer History Museum in Silicon Valley. That one was customer proof and cheaper in the long run because of no issues of wear and tear on the individual units. If you look carefully at the picture above you’ll see a woman watching a video in the middle of wide open space… and not wearing any sort of audio device. Where she’s sitting the sound is completely loud, clear and as distinct as if she’d been wearing headphones … YET, from where I stood taking the picture, I heard barely a whisper of that sound. If you look above her head, in the photo, you’ll see a white square hanging from the ceiling… That’s a speaker that produces highly directed sound waves. As in, she can hear it loudly and distinctly from the assigned seating spot (the padded bar) without it annoying someone a few feet away… and NO need for individual units which customers can break.
As previously mentioned, it was interactive… and to that end we were also all given wristbands similar to what they have at the Disney parks for tracking fast passes. Actually, as I thought about it I realized that these bands were probably exactly like the technology at Disney, which made a lot of sense as the big black rat now owns the Star-Wars franchise, and was most likely deeply involved in the designing of this educational exhibition. As first you entered the exhibition space you “checked in”
And then after seeing the intro movie, you’re given a chance to create your character within the Star Wars Universe, picking a race, gender, skin tone, and some basic abilities (like creating a character in role playing video game).
….and then as you walked through the exhibit at each location you were able to customize the character’s development as you made choices about its personality, abilities, and cumulative lifetime experiences
…. your planet of origin, the abilities you wanted to develop (so for instance you might be born with musical talent, but that doesn’t matter if you don’t work on learning music), the parenting style of your parents, and experiences your character has had that influenced who you become… AFTER each choice, you stand and listen to a video with explanations of how the decisions you just made might impact your identity over time (using star wars characters as examples). And you keep doing this till you get to the FINAL decision….
And then as you were leaving the exhibit, as is the case with Epcot’s Spaceship earth, you could have the results of your character’s development emailed to your home address, as a free souvenir of your visit
Not to mention you could shop the gift shop, for even more stuff…
That said, as a social scientist, Ph.D in cultural anthropology, yadda yadda, I didn’t agree with some of the twabble they were pushing in terms of identity development … it was seriously over simplistic and at times more concerned with political correctness than truth…
But… let’s face it… while how they put the thing together was interesting to me in a technological sense, NONE Of this is what I came for. I came to see Star Wars stuff!!!!
Some of the kids who came to the exhibit had totally dressed for the event, including the little boy above wearing a brown Jedi robe that was clearly purchased for him at a Disney park. Other kids were wearing their Star Wars T-shirts. Of course I was wearing a Star Wars T-shirt AND my Star Wars jewelry (my AT-AT necklace and death-star earrings).
Located in what once was the laid-back Dairy town of Matamata, New Zealand (NZ), is the movie set turned tourist attraction, Hobbiton. It is a must see for any fan of Peter Jackson‘s Lord of the Rings (LOTR) movie series, of the J. R. R. Tolkien books of the same names. From an economic standpoint, this single tourist attraction, which happened almost by accident, has become the “flagship” for what is now the impressive movie-tourism industry that has evolved in NZ over the past 20 years. As a result, visitors can swing through the entire country on any number of “see all of the LOTR locations in 14 days” type tours, (most of whom also throw in a taste of Māori culture for good measure). However, for myself, I prefer to take my time when traveling. As such I suggest spending the night in or near Matamata, and timing your visit so that you can attend a Hobbiton evening Tour and Banquet, which only happens a few times a week — all told, for any Tolkien fan, it’s well worth the price (and the food ROCKS!!).
[I need to do a quick shout out to the Hobbiton staff who worked “on set” on the evening of March 3, 2019. They are all amazingly well-trained customer service wonks who all seemed to love their jobs and not only never squashed our excitement, but rather actually aided our enjoyment. None of them were “phoning it in” so to speak. While the whole thing was impressively well choreographed (looking at youtube videos I see the same thing over and over), none of it FELT rehearsed or false. The whole time I felt as though I were being led through the set by friendly folks who seemed to genuinely enjoy our excitement to be doing it (like great teachers are) … And the food was not only delectable, but just enough to make sure everyone who wants seconds can have them (with just enough left over to feed the pigs); while not so much as to be a waste, etc,. That, and the timing of the meal was also perfect, so that no one ever felt rushed. BRAVO on a great performance! That said, shame that some of the staff at Shire’s rest aren’t that good, although, but, on second thought… maybe that’s why they were delegated to that location and kept off set.]
Let’s be real, if you’re a nerd/geek like I am, your number one motivator to go to New Zealand was probably to see the 12 acre Hobbiton movie set. Other than for that, it’s hard to think of what other reason might have drawn over half a million people to the small town of Matamata in just over 10 years. Even the town itself recognizes this reality, to the extent that their welcome sign says “Welcome to Hobbiton” in BIG letters, and only refers to itself as Matamata in the small print (see first image above)….Most tourists coming here believe the set, is simply what was left behind from when they made the LOTR movies back in the early 2000’s, but the truth is a bit more complicated.
Peter Jackson chose to build his HobbitShire in this general part of New Zealand because the region’s natural landscape of green rolling hills already conformed with his mind’s eye vision of the shire, as described in the books. In essence, the local topography is grass-covered sand dunes. This is why the area mostly supports things like dairy and wool production, as it is great for feeding livestock but less so for planting. While sandy soil is good for growing things like root vegetables and corn, that is only when the land is generally flat. With hills like these, any farming of that sort becomes difficult. Driving past the other farms that encircle the movie set area you quickly realize that this Hobbit like topography is NOT special or limited to the small farm inhabited by the movie set; the below image for instance was taken along a road about a 20 minute drive southeast of where the Hobbiton set is located, and could just have easily been chosen.
According to the Hobbiton website, construction of what was intended to be 39 temporary hobbit-hole homes began in March 1999, and filming started in December of that same year… and lasted only three months. Once filming completed in early 2000, they began to tear down the set (as had been set forward in the initial contract) but then the rainy season began, which put a halt to the process. During that time the owner of the farm began giving private tours to friends and family, but word got out and then strangers began to trickle in, wanting to see Hobbiton with their own eyes (only he didn’t have the legal permission to allow that, let alone charge for it).
As such, the owner changed his mind and negotiated with the film company to stop the dismantling of the set, which left a bunch of empty holes in the ground and only 17 plain white plywood facades in place [click this link for an article with images of how it looked then]. The negotiations to turn it into a tourism business took about a year, and included the stipulation that the studio earn a percentage of the money from every tour given. When finally completed in 2002, formalized tours of the movie-set began, and a former sheep shearing building that belonged to the owner was retrofitted into the “Shire’s Rest,” an area where tourists assembled before being taken onto the grounds proper.
The following are clips showing how this whole location, which took a lot of money to build was actually only used for a few short minutes in the films….
Keep in mind that Hobbiton is JUST the exterior shots, all interior ones happened in an entirely different part of New Zealand, in a film studio.
Among the people in my tour group were an older couple who told me that this was their third visit to the site. Their first had been back around this time in the early 2000’s, and that at the time the whole thing looked more than a bit dilapidated… with bits of plywood where the doors had been … sort of like a boarded up Hobbit ghost town, and yet, the tourists came… but they claimed that this had not dampened their excitement at the time to be able to see it, even with weeds growing everywhere, etc.
When the studio returned to the site in 2009, asking if they could use the land again for the filming of the second trilogy which focused on “The Hobbit” (released in 2012, 2013 and 2014), the owner agreed, with the “price” being that this time rather than using materials intended for temporary film sets, all of the Hobbit holes had to be built using quality materials — and that they be left in place afterwards to support his now ongoing tourist trade. The rebuilding proceeded in 2010. At that time, since the location was now going to be a much more central feature to the films, five additional Hobbit Holes were added. (As I showed above, in the first trilogy the shire was only visible in the movie for a few minutes) When filming began again in 2011, actors commented on how the location, rather than showing any of the tell-tale signs of being a movie set, now looked like a real, but idealized, village where people lived and worked. This in turn, increased the value for visitors ten-fold, and like Disney World adding a new ride, word of mouth about the improvements generated not only return business, but new interest as well.
However, at that time, no “tourist facilities” existed within the movie set area itself, which the ever-increasing number of attendees made problematic. If you needed bathrooms or snacks, those needs could only be fulfilled back at the Shire’s Rest facility, before or after your visit (or porta potties, YUCH!). So in 2012 The Green Dragon Inn was built; it is an exact replica of the Inn, as seen in the movies. This final ‘destination building’ not only provided bathrooms, but solved a major complaint of tourists up until then.
As our guides made a point of telling us REPEATEDLY, Hobbiton was only built to provide exterior shots for the LOTR movies, and all interior ones were done at a movie studio, so “no, you can’t go into any of the hobbit homes” (let alone ask to use their bathrooms); and even where you could step in, what’s behind the door is not a real home (see images below). The Green Dragon Inn filled that gap in the experience by giving tourists the much longed for chance to enjoy a hobbit interior. As such, the Dragon acts as both the conclusion and the “HIGH point/climax” of your visit. It is both a place where tourists can have that experience, while having a rest (for a very limited time before being shuffled off the set again). There they are given one free drink of their choosing (from their special brews, for sale at the Shire’s Rest and at other gift shops in Matamata), and the option to buy more drinks, and/or a snack (or use the bathroom). BUT, as I said, on the normal tours your visit to the Inn is VERY limited, about 10 minutes tops. So signing up for an evening tour that includes the Banquet is the ONLY way you’ll be allowed to truly enjoy it at your leisure.
However, Hobbiton is just the flagship/main attraction, for a movie based travel industry that has evolved in the nation. What I’m about to say is a bit bizarre, and might offend some New Zealanders … but bear with me…. Between the two existing trilogies there are already 170 LOTR filming locations scattered around NZ’s two main islands, arguably at least as many locations to see as there are ‘things to do’ at Disney World — the world’s most famous movie-based attraction (if you include all the shuttle ferries, stuff to see at the hotels, etc). And both offer no shortage of tour books and web sites to help visitors discover where each and every one of those ‘attractions’ are and how best to appreciate them. Only while the excitement offered at Disney tends to be more passive (you sit, and are taken through something), New Zealand’s LOTR attractions, like Tom Sawyer’s Island or most of Paris Disney, are all walk through experiences, only with a lot more exertion required, trekking and mountain climbing, etc., and a lot fewer rides (think the tour busses). So it is in fact comparable, albeit different.
So for example, Mordor’s Mount Doom in LOTR is actually Mount Ngauruhoe, an active stratovolcano, that is one of the two such peaks located within Tongariro National Park; and like ALL mountain tops in NZ, it is a sacred place to her Māori people, and as such, by law, you are NOT allowed to drive to the top without first obtaining special permission. In fact, if you look at the google map for the place, while there are dirt roads going by it (accessible for those with mobility problems only if you rented a 4-wheel drive, and got official authorization in advance), there are in fact no roads that go up it; so if you want to see it your options are to hire a helicopter to fly you over (like I said, a movie-travel industry), or even more popularly, you can find local lodgings and choose to spend a full day hiking to the top. Oh, and if you want “shows” like at Disney, I suggest Māori cultural experiences. For myself, I STRONGLY prefer taking the time to relish things, and if I ever got the capacity back (unlikely without surgery and PT) would totally hike it.
That said, the reality is, you actually don’t need to pay for a group tour to take you to see the LOTR sites/sights if you don’t want to, nor even buy a book on the subject to help you plan your trip. If you’re not someone who’s into pre-planning, you can in fact just impulsively fly to NZ, and figure it out as you go along. To paraphrase the New Zealand tourism board’s website, there are over 80 i-SITE visitor information centers scattered around the country, many of them located in distinctive or historic buildings (like the one above). In them you will find no shortage of pamphlets, and trained professionals, who can inform you about everything there is to do in any particular area you’re currently in, including which parts were film locations. And, of course, while in these i-SITE centers, you can do some souvenir shopping — as I’ve yet to find one that doesn’t have a gift shop.
The government clearly knows from whence its tourist prosperity comes, and embraces that connection to Lord of the Rings, especially in Matamata. The town’s i-SITE building was even built to look like a cross between a traditional British home, and a Hobbiton one (note the round doors). While you COULD book your tickets here, in this particular case I REALLY don’t suggest leaving THAT to the last-minute. As mentioned repeatedly, Hobbiton is the flagship attraction to a WHOLE industry, and demand is high while availability limited. The set can only accommodate a finite group of tourists per day … particularly if you want to take advantage of any of the “tour and a meal” options. So seriously, book ahead for this part of you LOTR’s tour of NZ.
While the Hobbiton tours began officially in 2002, in what was a half-broken down movie set, by 2012, after the repairs and upgrades had been completed (including the Green Dragon Inn) it had become enough of an attraction that it had 17 full-time people working on staff, and by 2013, attendance was said to average about 400 to 600 people daily, with as many as 2,000 showing up at the peak of the season; so, somewhere around 220,000 visitors annually, a number which increased to 350,000 in 2015. Tours usually leave Shire’s Rest for the movie set every half hour (you can NOT enter the set on your own, you MUST be part of a tour) and, each of those lasts for about two hours. On average days, the last tour starts at 3:30, and on peak ones their hours are extended by just one hour, so that the last regular/no meal tour starts at 4:30. And, when they say pre-booking is essential, they mean it. As such, I would NOT expect to show up at the site, or even at the i-sight center the day of (or even the day before) and expect to be able to just walk on… unless you are very very lucky. I booked my ticket for the banquet tour a good three weeks in advance… during the OFF season, and there was already only limited seating available.
One of the things that really amused me when we got to the Shire’s Rest parking lot was the sheer number of Jucy vans parked there… for those who don’t know, this company was founded in Australia initially as a campervan rental company (vans converted into campers), although they’ve expanded into renting cars. For the most part (although they’ve come out with some subtler ones recently — note the plain white ones in the upper right image) these rentals tend to be pretty hard to miss. Most of the vans are the garish green you see above, while others are covered in what looks like graffiti art with off-color images and messages written on them. For those, you’ll rarely see two exactly alike. Their business model is to provide small, energy-efficient, well designed and highly functional, camper vans… at an affordable price. Their product initially was aimed at the backpacker crowd (young travelers), but as they’ve expanded into the family market they’ve toned down the exteriors of their rentals. If you want to do a LOTR tour of the island on your own (not part of a 14 day tour group), then you might seriously want to consider renting one of these.
Adjacent to the parking lot you’ll find this small Information building, where those who have already reserved their tickets on-line (i.e., pretty much everyone) are asked to check in. (The window off to the left is a small ice cream shop.) When I was booking I wanted the longest stay possible, once I discovered that you’re NOT allowed to wander around the place on your own. I considered both the Tour & Meal combo, and the Evening Banquet tour options, but the former appeared no real competition to the latter. The “meal” option puts you into a tent that’s ADJACENT to the Dragon Inn (NOT inside), where there’s a Buffett… i.e., standing in line with lord knows how many other people to fill your plate. This option lasts for 2.5-3 hours (2 hours for the tour, and then about a full hour to eat). While the banquet option involves sitting down to an already drool worthy, family style laid out table where instead of being in a tent you’re comfortably INSIDE the warmth and comfort of the Dragon Inn. AND not only do you get to see the shire during the golden hour, with the sun setting over the hills, but you also get led through a 2nd time, late at night. So you see it in daylight, and you get to see it lit up by candlelight (well electric, but close enough). The Banquet tour is the longest visit option, lasting about 4+ hours: 2 hours for the tour, and then about an hour and a half spent at the inn, followed by the 2nd walk through the shire at night….. more details to come (see below).
Once you arrive at the Shire’s Rest, originally the farm’s sheep shearing and wool shed building, which was retrofitted to its new purpose, there are sufficient things to do that, while you’re REQUIRED to arrive 15 minutes in advance of your tour’s departure time, you might want to get there a full half hour before that.
To the right of the building (image above) is a small shaded area of benches and ropes, where you line up when it’s time to load onto the busses. The first floor of the main building holds the ticketing center, and a gift-shop selling a wide variety of LOTR “stuff” (most of which is available from online sellers). My tendency when it comes to places like this is, I window-shop the shops, but don’t buy. Having worked as a catalog photographer back when I was in my 20’s, I know full well how good we were able to make piece of crap items look in the photos… so before I buy I want to see the items with my own eyes. However, places like this tend to be overpriced and rely on your excitement about the visit (impulse buying) to drive sales. So, I take photos of the stuff that interests me (try to get the name of the producers, etc.) and then try to find it used on eBay. Probably the only location specific items I’d seriously consider buying here are the postcards, and the LOTR themed Southfarthing™ beverage range, of Middleearth wines and such, which can be purchased here, or at the i-SITE center back at Matamata, or at the Green Dragon (but that are NOT available on-line… I’ve been looking, no luck)… and of course there are clothing items to be purchased made of local wools.
Upstairs on the building’s 2nd floor is a full service cafe that will provide you with cooked foods and hot coffee until 3pm, at which point their kitchen closes. Here is where you can find “second breakfast,” lamb burgers, and fish and chips. After 3pm, any already prepared foods that are still in the refrigerated case are available for sale, until the close of business, but nothing hot. Apparently, Shire’s Rest’s kitchen is also available to cater weddings, functions and company events.
Adjacent to the main building is a smaller establishment called the Garden Bar, which offers outdoor seating only, and sells wine, beer and a small selection of nibbles. There are bathrooms adjacent to both the bar and the cafe. When it’s time for your tour you assemble in the area I described before, and are loaded up into busses and vans.
If you’re given a choice (you might not be) the difference is this: The busses have a built-in video system where you’ll be shown a composite movie timed to last the entire trip. It is made-up from all scenes shot in this location, and all six LOTR movies, so that when you arrive you’ll have been recently reminded of what you’re looking at.
The vans do not have this system, and instead there’ll be a tour guide who will recite to you about all sorts of facts and figures about the location (which I assume the movie also does), and will point out the one film location the busses pass (the one in the image above); the guide however can do something that the movie can’t, i.e., answer any questions you might have. I was in the van. The location above, if I recall correctly, was where the wizard Gandalf and the Hobbit Frodo pass through, while riding together on the wagon when traveling towards the shire at the beginning of the first trilogy.
Once you arrive on the set proper, the entire group from all the conveyances will collect together and be given instructions of what you can and can not do: where you can walk, etc. The group will then be broken into manageable subgroups, each with its own guide. The groups will all take slightly different paths so that there’s never too many people in one place at one time, but all of the groups will ultimately see all the same things, but will come at them from different paths.
According to a Forbes article from 2012, the making of the Lord of the Rings movies in NZ has touched the lives of each and every New Zealander, whether they realize it or not. Firstly, NZ is a place which, back when I was in high-school in the 1980’s I remember being laughingly described as having more sheep than people, and not much else. As a result, (and this excludes the people who have moved to the country in the 15 years since the movies came out) pretty much the entire population found themselves at one degree of separation from the film’s production.
Firstly, from a country of 3.88 million (at the time) about 20,000 locals were hired as extras to work in the films (about 1/16 of 1% of the population) — BUT if the average Facebook account is any measure — limiting it to those who will only friend people they know because of face to face interactions — each of these have about 450 friends, family and co-workers each… and 20,000 X 450 = 9 million…. far more than the 3.88 million of New Zealand’s population in 2001. But the hiring of local resources in the making of the film didn’t stop there by ANY measure…
According to this site, 1,200 suits of armor, 1,600 pairs of prosthetic feet and ears were made and used along with 2,000 weapons to recreate the battle scenes — and even if these were made abroad and imported, all of these had to be handled, organized, and distributed locally… which requires manpower. (The following video, which clarifies a lot of misunderstandings about the story that are held by people who’ve seen the movies but not read the books, includes a scene where two people are struggling to get a prosthetic hobbit’s foot onto an actor’s real one — its worth watching)
And the hiring did not end there; according to one of the officials for Tourism New Zealand whose job it is to focus on people arriving from abroad, Gregg Anderson “During a fight scene in Return of the King, I can see my niece’s horse.”
Additionally, according to the same source, in order to create Hobbiton, 5,000 cubic meters of vegetable and flower gardens were planted a year before filming. According to our tour guide while MOST of Hobbiton is natural landscape, the homes did need to be dug into the hillsides, and some of the contours of those hills were changed subtly to support the lie that there were homes within them…
As already mentioned, only a few of the doorways built into the sides of these hills actually lead to any sort of interior space. In such cases, there is usually JUST enough room for an actor or actors, to open a door and walk in or out (see the image below) … MOST of the doors in Hobbiton are just exterior facades leading to nothing– although they all had to LOOK like they are doors of actual homes that lead to something.
The above home with the Red door, was the ONE such accessible space that tourists to the Hobbiton set are allowed into. There was enough standing space inside for maybe three people, if one of them was crouched… and the tour guide sort of lined us up so each of us who wanted it could get a picture of themselves standing in the doorway.
In each of the cases where the door opens to an actual space (as in actors must be able to enter), only enough of the interior is decorated as was necessary to support the illusion when said actor opened the door and the camera peered through it, if only for an instant. The above is Bag End the home of one of the main characters, Bilbo Baggins, the elder Hobbit who is in possession of the ring at the beginning of the initial LOTR movie trilogy, and the protagonist of the The Hobbit, the second movie trilogy. And as you can see, if you look through the doorway, you are given the impression there’s an actual hallway behind it… This however is the least impressive of the illusions of the set…
That reward goes to the large tree above Bag End … it is a FAKE tree!!! While in the original movie there was a real tree there (although apparently even that was a cut-down tree used for the filming), what currently stands is a smaller replica with silk leaves. This is because of continuity issues in film making. When they filmed the original LOTR, they didn’t know it would be SUCH a big hit, or that they’d be filming The Hobbit a few years later. The first trilogy filmed (LOTR), in the fictional time-line, happened 60 years AFTER the story that happened in the second trilogy, The Hobbit (confused yet?), and trees GROW quite a bit in 60 years. As such, for the Hobbit (60 years before), that tree (which had been seen in the LOTR) had to be a smaller tree, requiring that they shrink the tree in order to maintain continuity… with no way to find a 2nd smaller tree to cut down with exactly the same sort of branch pattern as in the first trilogy (no two trees are exactly alike). SO, it was just easier to make a fake one! Movie Magic!
Another illusion manufactured at the location has to do with the size of Hobbits. According to Tolkien, hobbits are supposed to be between two and four feet tall, so the biggest are a bit shorter than the small boy in the pink shirt. I on the other hand stand 5’4″. The reason there’s such variation in the size of the doors is to manufacture the lie, with door sized calculated to falsify the impression of size the various actors had to create vis-à-vis the characters they were playing.
Returning however to the economics of the thing: The (so far) SIX Lord of the Ring movies (which together cost slightly over one billion to make) were all major world-wide hits whose combined releases have to date generated $5,886,273,810 in worldwide box-office revenue. Because of the various businesses that have developed to support both the film industry and tourism, the massive success has gone on to have a long-term economic impact on the country of New Zealand that can not be overstated. As evidence, the positive impact of the first three LOTR films on NZ’s economy was enough to ensure that the government has not only gave Peter Jackson some controversial tax breaks, but also changed local employment laws in order to ensure that he didn’t keep to his threat of moving the Hobbit and all other future movies to cheaper locations.
Currently tourism is New Zealand’s second largest industry after Dairy. Ask any of the long time locals and they’ll admit that Peter Jackson’s choice to use their country’s topography as the backdrop for his movies did more to advertise those natural wonders, and hence to put their nation on the tourism map, than ANY amount of advertising done by their government.
Between the LOTR’s initial release in 2001, and 2012, the country saw a 50% increase in tourism, and even though only 1% of travelers (in 2012) said the movies were the ONLY thing that drew them, 6% of those asked admitted that the movies, and seeing the locations with their own eyes was one of the motivators for flying there — which accounted for about $162 million USD in tourism dollars. Even among those who were NOT motivated to travel to New Zealand because of the movies, 80% of them knew the films had been and were continuing to be filmed there, because of her unique natural wonders, a knowledge which helped them to see it as a desirable tourism destination.
That said, the fact is that Peter Jackson, COULD have filmed all of his interior scenes anywhere in the world, but because he chose to shoot all of them in his home country of New Zealand, and then insisted on doing all of the post production work there as well … at Weta Digital (a special effects house he founded) and at Park Road Post (formerly a small state-owned post production facility, but now a large one owned by Jackson) in Wellington — sometimes referred to as the house Frodo built, and due to Jackson’s influence now considered by some to be the best in the world … all of this together helped to build film facilities within the country that are now a 3 billion dollar industry NZD (New Zealand dollars).
As mentioned previously, back in 2013 there was apparently some upset when Peter Jackson had threatened to move the filming and production of the Hobbit trilogy to places like Eastern Europe, etc., where it could have been filmed more affordably. By doing so, he successfully blackmailed the country’s government into not only coughing up $67 million NZD in tax breaks for his production, on top of having already in 2010, having had the country’s employment laws changed to his likings. The ‘Hobbit law’ — officially called the Employment Relations (Film Production Work) Amendment Bill resulted in a lot of outcry not just from actors, but also from the nation’s workers at large. This change in the law barred anyone working in NZ’s film industry from collective bargaining, and stipulated that any actors working in film production would be listed as contractors, unless they signed a contract that explicitly listed them as employees, i.e., sort of a BIG DEAL from the point of unions, etc.
One has to keep in mind that just the parts of the film industry that evolved out of LOTR had in 2016 added $1.015 billion to NZ’s real Gross Domestic Product, so clearly, those tax breaks were paid back, with interest, and that was only about 1/3 of NZ’s entire $3.3 billion in revenue earned from the screen industry at large for that same year. In part this is because the LOTR franchise helps to supports 2,700 other businesses (carpenters, costumers, set catering, etc) …. businesses that can then go on to serve other productions in the movie industry, and whose very existence make NZ a more attractive alternative to movie makers in general, including the new online-TV production companies like Netflix and Amazon…. it’s a rising tide that lifts all boats, so to speak.
And, the cream in that coffee is that most of these jobs are supported to the tune of 80-90% by money from the film budgets of FOREIGN companies (not NZ tax dollars), the majority of which come from Hollywood that again feeds money into the local NZ economies. All of this LOTR prosperity may account for why the New Zealand post office released stamps with the Hobbit characters on them, and Air New Zealand has two planes decorated with a Tolkienesque theme. And things like this:
This also explains why, in 2018, the new government had under pressure given in to taking a look at making changes to the Hobbit Law, while refusing to repeal it entirely (which is what their constituency had wanted); and this rejection was in spite of being WAY more liberal than the previous government. As a general rule, no government is going to ‘kill the goose that’s laying the golden eggs’ without extreme provocation.
Deregulation is almost always a good thing…. in the beginning. According to one study, between 1978 and 1998 employment in NZ increased by 50,000 jobs, an increase of 2.6% in a country that at the time had a population that grew, during that period, from 3.121 million to 3.8 million, and kept growing to today’s 4.794 million, all of which demanded a LOT of new buildings to go up, especially in city centers like Auckland. Keep in mind Peter Jackson began building the Hobbiton Movie set within this deregulatory economic context, in 1999. Of course the downside of deregulation is shoddy construction, increased pollution, etc.
I had my first hint that something of the sort was going on during my first days in the country, when we were at our Airbnb in Auckland. At the time I had commented to my travel buddy on the high number of newly constructed buildings that (to my well-traveled eye) looked like Asian construction. Architecturally, there’s all sorts of decorative devices you see in Asia that you’ll never see in the west, for good reason. Back when I was in my 20’s I did an internship with a Japanese ceramics firm that among a plethora of other things, made the easy to clean decorative tiles you see lining the sides of Japanese buildings. When I asked my boss why they didn’t expand into the US market, he told me, “We can’t. Those tiles are only stuck to the sides with a sort of glue, and they have a tendency to fall down from time to time and hit people in the head. In Asia, that’s no big deal because if it happens the victim’s family looks on it as just being bad karma. In the USA you blame the company for unsafe building practices, and it ends up in a massive lawsuit.” And then of course I lived in Korea for a few years, so I’m more than familiar with this sort of pretty but questionable construction
One day as I was stepping out of that same Airbnb (in Auckland), I came across a real estate saleswoman trying to sell an apartment in our building to this young guy. He was clearly annoyed and wanted to know if she had anything NOT in this building. Out of curiosity I asked her what was the place they were selling and the price, it was about $200K USD, which struck me as suspiciously cheap for a one bedroom in a high-rise apartment in the middle of any downtown, let alone in the nations largest city. She admitted the building had “problems.” I asked what kind, and she admitted it had all sorts of problems, not just one or two, and that the owners might not be able to fix any of them although they were trying. The price was so low because you needed to be able to pay in cash as no bank would give you a loan to buy a place in this building… In other words, these beautiful new buildings in downtown Auckland, most of which looked to me like Asian construction, were in fact, of … probably Chinese construction. Again, what happens when you deregulate the construction industry…. is builders don’t do what they’re not absolutely required to do… which can lead to problems.
But in the land of deregulation well…. it’s a double-edged sword. But for the deregulated environment, I doubt that Jackson would have had it so easy making his film here, or building his post production companies, and quite likely Hollywood would have pressured him into making the film elsewhere.
And but for his having had done all that in New Zealand, we’d not be having this conversation. Additionally, had regulations existed, its questionable if Hobbiton as a tourist attraction would have been legally allowed to develop in the haphazard way it did, as things of this sort normally have to jump through any number of regulatory health and safety hoops…. like it not having a bathroom for the first 10 years of its existence … So… there’s that.
Returning to the tour: After an unexpectedly long wait, during which folks explored the area and took lots of pictures (see the ones above)… we were all brought together in the bar area, where a pair of heavy velvet curtains hid the dining room from us. We were asked to PLEASE not take pictures until we were seated at our tables, although they understood the temptation, because if we did the food would get cold and they promised that there’d be plenty of time to inspect the room between our main course and the desserts.
They then made a big To-do of opening the curtains, asking for volunteers from the group to do the big reveal (the two women in the photo, bottom left) and we all piled into the room like a bunch of excited kids … (really the excitement in the room was palpable)
That said the spread was HIGHLY impressive not only to look at but also to taste. There were two big roasted chickens which seemed to be of the rotisserie variety and hence very moist and flavorful, a big chunk of salmon that was also not dry in any way, a roasted pumpkin stuffed with succotash (which kind of surprised me because that’s very much an American dish — corn, tomatoes, and peppers all being New World foods — but as I said sandy soil like the sort that the local topography is made of supports growing corn, so I’m guessing these were all local ingredients). There as also a big tray full of lamb shanks that sat on a bed of bubble and squeak, and came with a huge jug of brown gravy, and a mushroom dish that was to DIE for (if you like mushrooms, which I do). There was this huge dish containing a single coiled sausage cut like pizza, resulting in slices of varying sizes (quite tasty).
There was one tray of roasted vegetables, and a big bowl of roasted cut up potato (with spices) again very good… A green salad which to be honest I didn’t touch… cause with all this… fuck no I’m not eating a salad.
There was also a bowl of mashed sweet potato, which apparently in NZ is called Kumara, and has been a Māori/ Polynesian staple from BEFORE the white man arrived. This is kind of fascinating, again, because the sweet potato is believed to also be a new world food. I looked it up and the carbon dating of some sweet potatoes in Polynesia verified the vegetable’s presence there as early as 1400 CE., so before Columbus’s 1492 sailing. There are two theories, one is that Polynesians were SUCH masters of the ocean that they were already in limited trade contact with South America before the European discovery of the same. Another theory (for which no physical supporting evidence has yet been found), suggests that sweet potatoes might have already been on the Polynesian islands before the first humans ever arrived.
My LEAST favorite dish was a beef stew type thing, which they described as being beef and ale. It wasn’t very tasty (kind of bland actually) and the beef chunks were very dry and chewy. That said, there were other people at the table talking about how good it was, so to quote one of my mom’s favorite sayings:
על טעם וריח אין להתווכח
….which translates to, “on taste and smell there is nothing on which to argue”
What amused me no end was that the Green Dragon’s resident cat came to join us when it was time to sit down to dinner. He (she?) walked around the room, and then spotted an empty chair at our table and jumped up into it. The cat was VERY well-behaved, made no attempt to get at the food and just sat and waited for one of us to serve her — at least until she was spotted by one of the servers and shooed out …
This almost made me cry because I had a cat (R.I.P.) that used to do the same thing. After my mom had died, every Friday night, I cooked all the other nights, my dad made dinner which included his home-made chicken soup. (To die for: the man used actual chicken feet which is the missing secret ingredient for why your soup is never as good as your grandmothers — as almost no one cooks whole chickens anymore.) Our cat would come and sit by the table, wait to be served … he loved that soup… and then went away, having never put his paws on the table, cause he knew it wasn’t allowed.
More than enough time was given to us (and enough food supplied) that you could go back for seconds if you wanted to. Me, my stomach isn’t that big and I wanted to save room for dessert… so when I was done I walked around took some more pictures, allowing me to see some of the area in twilight.
And then once EVERYONE was finished, and not before… One of the great things about this meal was you got no sense of being rushed during the banquet, the waiters came and cleared the tables, and then almost completely reset them to prepare for our dessert. During that time everyone got a chance to enjoy the twilight, or explore the room and all its details. (Not sure where this girl found the map of middle earth) While the trays of dessert were much smaller than what had been laid out when we first arrived, realistically we were all so full from the first course that it was more than enough, and there were leftovers when we were done. (Clearly, these guys have done this before — HAH! — and have the serving sizes down to a science, although the staff does a great job of making their performances ‘fresh’ so that you feel like you’re in a warm embrace of friends rather than being shuffled through something choreographed.)
The dessert tray consisted firstly of a kiwi and strawberry sauce filled Pavlova (one of the national dishes of both Australia and NZ) topped with fresh cream. For those who don’t know, the Pavlova is essentially a large bowl-shaped container made of white meringue, created in honor of the famous Russian prima ballerina of the same name, who was also the first ever to go on a world-wide tour, and was responsible for introducing modern ballet to the world. This tour included Australia and New Zealand, and at the time she was the single most famous performer to ever visit here… so it was a REALLY big deal. In honor of her arrival the dessert was created, but it’s a point of serious contention between the two countries — a sort of tongue in cheek war that is talked about AD NAUSEUM — as to which one did it first … as apparently it was a great minds think alike sort of issue with two different chefs in the two nations coming up with the same idea for the SAME dessert named in her honor
…. because her most famous dance was The Dying Swan, a dance she performed 4,000 times, which involves wearing a white tutu that looked like Meringue.
In addition to the obligatory Pavlova, there was a bowl of seasonal fresh fruit, British Bakewell tarts (bottom of image), butterscotch sauce (in the orange jug, which went REALLY well on the tarts), an Irish apple crumble (top of the photo), a bowl of Yogurt with honey and cinnamon (which at first we thought might be cream but it tasted wrong, and no one really knew what to do with it…), and a big metal jug full of Vanilla custard… which kind of goes well with anything
After the meal was over, they handed about every third one of us a lantern, and they took us on a walk through the set at night. More than a few people supplemented that light with the flashlight function on their smartphones… The night was so clear, and there was SO little light pollution that if you look very hard at the photo above towards the upper right corner, you can see a star!!!
I had NO trouble photographing the night sky with my iPhone’s camera (which generally sucks at low light images) and seeing stars in the image (see above)… because it was SO dark that what my eye was seeing wasn’t just a few stars, it was the Milky Way.
After the walk through they had us form a circle and talked to us about our trip, asking us to remember our favorite moments and hold them in our memories. And then they had all the lights turned off, had us close our eyes for about a minute and then open them and look up… and just wow. IF you’re lucky enough to go on a night when the sky is clear, and I was… just wow… and then those of us who wanted to got our photos taken in front of this one door, which was lit up with a powerful spot lamp
After much searching I found this professionally shot advertisement for the banquet tour… that includes drone shots and (what were clearly directed actors as) tourists… but it shows stuff I could never have accurately filmed, like the night-time walk with lanterns … and the scene of the guy taking a bite out of a chicken leg so enthusiastically that it made me drool
As I’ve already said, I think it’s important to remember that Hobbiton is just the flagship for what’s become an entire LOTR based travel industry. Between the two existing trilogies there are already 170 LOTR filming locations scattered around NZ’s two main islands, enough to necessitate MULTIPLE trips on the part of any obsessed fan who wants to see them all, which can of course include multiple visits to Hobbiton. AND, because of the huge success that was the Game of Thrones (GOT) — which I’m currently bingeing in preparation for the release of the final season next week, Amazon has gotten on the SciFi band wagon and has ponied up a budget of one BILLION dollars for what is being advertised as the most expensive TV show ever made, an original five season Lord of the Rings. This is sure to happen because Amazon has ALREADY paid $250 million to Tolkien‘s estate, just for the film rights, which were given with the caveat that the film HAS to go into production in the next two years
The following is a preview of the new series (although the first 30 seconds is about the wildly successful of GOT and how that influenced Amazon decision. Warning, contains spoilers):
All of which means that most likely not only will the Hobbiton set be closed once again for filming, and hence more changes will be made, but that there are going to be EVEN MORE LOTR locations to be visited in New Zealand, in addition to the 170 that already there. All of which, should the show be as big a hit as the movies were, will mostly likely generate even more increased tourism to New Zealand.
[Note, not that this matters to you guys but, I had spent 3 solid days composing a very detailed discussion with research and backing statistics… which WordPress LOST; I had revised it multiple times, always making sure the software said it had saved it, even quit and restarted the program a few times… each time was told it HAD saved, only to hit publish once I had it all as I wanted… and have the WHOLE thing get erased…. well… but for the title, THAT got saved (I had changed it only about an hour before hitting publish). Many emails back and forth to company later and all I got from them was a “we’re sorry, its not on our servers, must have been a bug with the new update” … YOU THINK!!! Every photo uploaded got saved (and in the correct order), and the new title (which I had only just modified before posting)… but all the text, GONE. So the above is me trying to reconstruct it using my google search history, the photos, in order to try to remind me what I had said the first time. Which took twice as long in part because it was so frustrating]
P.S. I was just watching this 60 minutes show about the making of Game of Thrones, and broke into a cheer when I learned the sets for places like Castle Black are following the lead of Hobbiton. They were built to withstand the elements, and will be turned into tourist attractions. WOOT!
Route 66 has two endpoints: one is in downtown Chicago, which many people think of as ‘the start’ of the route (because of the order in the “get your kicks on Route 66”, song), while the other is (currently) at the Santa Monica Pier, just west of Downtown Los Angeles, which is where I started my trip. In Chicago route 66 is a little complicated as it exists on two one way streets, Adams, which travels west, and Jackson, which travels east. SINCE most people take 66 going west, that’s where you’ll find most of the signs…
Because Chicago is home and I’ve pretty much walked or driven most of these roads at one time or another without realizing they ARE 66, I have to admit that once I did, I opted to fudge it a bit once I passed Dell Rheas’s Chicken basket in Willowbrook IL (a town I’ve only ever passed by while driving on I-55) and felt that I had for all intents and purposes I had finished the route on the 24th of October. (I admit this is largely because I knew the neighborhoods I would be passing through… knew most of them to HIGHLY unsafe ones with nasty traffic. When I go downtown I stick to safe routes and park my car in safe areas.)
So for instance, the above are some photos of me in 2001 having dinner with friends at what was then arguably the best Greek Restaurant in Chicago’s GreekTown (on Halstead between Adams and Jackson … i.e., 66) the now closed Roditites Greek Restaurant, which used to be one of my favorite go to’s (it was open for 45 years). (All of the old Greektown classic restaurants seem to be closing, I think the children weren’t interested in taking over the businesses)but on the 31st of October I had business I had to deal with downtown, and as such took the opportunity to finish my 66 trek (only this time on foot, cause driving into the city is NUTS). I was staying at my friend’s home in Northbrook, and took the Metra Train from North Glenview station to Union Station, which is also located between Adams and Jackson (again, both are Route 66, it just depends on which direction you’re going) with exits to either street. Ironically, I have only ever been in this station once before. The Metra train line adjacent to my parents home went to a different station, the Ogilvie Center, a few blocks north. Unlike that station, which only services local lines, this station is where you go in Chicago if you’re taking an Amtrak line. As such, the only other time I was ever here was when I took the California Zephyr from Chicago to San Francisco back when I was in my late 20’s.The odds are you’ve seen this station before, even if you’ve never been to Chicago, as it’s been used more than few times in movies. The list includes Public Enemies (with Jonny Depp), My Best Friend’s Wedding (with Julia Roberts, Cameron Diaz and Rupert Everett), Man of Steel (one of the Superman movies), Derailed, and most prominently in the movie The Untouchables, about Al Capone (Robert De Niro) and Eliot Ness (Kevin Costner) … with a scene steeling Oscar worthy supporting performance from Sean Connery… which had a LOT of Chicago locations in it.
From the station I went straight to my 11am appointment, and then double backed to have lunch at Lou Mitchell’s Restaurant & Bakery (click link for my blog post about it), which is located a half block west of Union Station, and is probably the only historic Route 66 eatery to be in the Michelin guide. After lunch I walked back east, along Adams (Route 66 west bound) past Union station and to the Chicago River which forms the station’s eastern boundary.
If you ever come to Chicago I strongly suggest taking one of our Water Taxi’s from Union Station (i.e, Route 66) to Navy Pier (the Orange line on the map above) which travels to where the Chicago River meets Lake Michigan… that said I’m about to go a bit off topic, but really… you have GOT to try the water Taxis
While at Navy pier, before switching to the next Taxi, you might want to go up on the Ferris Wheel (which is sometimes referred to as the Chicago Wheel, as it actually served as an attraction back in 1893 at the World’s Columbian Exposition, i.e., the White City, which was held along the lake on Chicago South’s side) which offers some great views of the city
but then make sure to take the Water Taxi that travels from the pier via Lake Michigan to Shedd Aquarium and the Field Museum, even if you don’t want to go to the Museums.
The skyscraper on the left is the Big Willy (see below), the one in the middle is the Standard Oil building — no self-respecting Chicagoan refers to it as the Aon center and if you asked them where the Aon center was I doubt they’d know, and one to the right is the John Hancock (where I used to work back when I was in my 20’s)….. again, NO ONE calls it 875 North Michigan Avenue. Apparently the John Hancock building, the corporate headquarters for the John Hancock Mutual Life Insurance Co, at around 2013 ceased to be their headquarters, and just a few months ago the name got changed to its address. The pics above were from when I did this back in 2013 when my friend, who I knew from when I was teaching in S. Korea, came to visit during a summer break.
But I digress… returning to Route 66….
From there I continued my trek down Adams (the west bound 66). The above picture is looking west down the street, across the bridge I had just passed over… and, the ‘small’ white building just above the black van is Union station.
Again, this photo is looking west. The sky scraper in the distance is the same one shown in the picture from the Water Taxi. Which I referred to as “The big Willy.” It was originally called the Sears Tower (my best friend from high-school has worked there for almost 15 years), and when first built in 1973 (I remember it going up) it was the tallest building in the world. But Sears then sold it to Willis Insurance in 2009, who renamed it as The Willis Tower. Many Chicagoans to this day absolutely refuse to use that name, but I, personally, LOVE IT… because it allows me to call it “the big Willy” (Willy being a British slang word for penis) and just how great is that?! The GORGEOUS historic building in the foreground of the picture is the SIDE entrance (if you can believe it) of the Rookery Building, which designed by deeply important architectural firm of Burnham and Root in 1888. If you have ever read the best-selling novel The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America, about the Chicago world’s fair, you know who they are. I didn’t take any pictures inside, but the lobby was design by Frank Loyd Wright. If you’re an architecture enthusiast you will LOVE Chicago.
Another thing Chicago is famous for, one of which is visible on Route 66, is our collection of public art. The above is Alexander Calder‘s Flamingo (sculpture). I remember when it was first unveiled in 1974, none of us could make heads or tails of what it was… but it’s pretty.
After this I pit stopped off at the historic Berghoff Restaurant (click the link for a fully review of the place) for a mug of their root beer (they brew it themselves). For some reason this iconic German restaurant which is a landmark of downtown Chicago, its been there since 1898… is NOT in the Michelin guide… shrug?… I remember the first time my mom took me here, I couldn’t have been more than seven or eight years old. If you look at the image above, and look down the street between the tall building you’ll see the roof of the Art Institute of Chicago, which is not only one of the FINEST art museums in the world, it’s also my Alma Mater. If you love German food, EAT HERE, this place has been rocking my socks off my whole life… if you don’t… at least try the root beer and look around, the interior is just amazing to look at and reeks of Chicago history (photos and murals of Chicago Exposition line the walls)
AND THIS is also a route 66 establishment — and I never realized it was that until this trip. Did I mention I have been eaten here my whole life.
If you look carefully at the building, you’ll see how the sign above… which I’ve never seen before, and keep in mind the roman looking building is Art Institute of Chicago, were I went to school for four years….. and this one below are on either end of the same city block…
the reason, in my mind, is because it is where THE real Dorothy, Dorthy Gale, she of the Wizard of Oz, is buried…
Dorothy Louise Gage, born June 11 1898, and died November of that same year. She was the niece of Frank L Baum, and he made her immortal.
FINDING the grave wasn’t all that easy. Just as you come into the graveyard there’s a caretaker’s house, with a map, but it’s not all that easy to follow. There’s also a memorial garden there in her memory, but that’s not the grave.
In the images below, the top left one shows the statue on the left edge, and the grave (just in front of the tree in the back right corner, in the shade) where it sits between the two green bushes.
I ended up at first on the road between the plot section at the back edge of the graveyard. From there I found the statue easily enough but it was just far enough from the actual grave as to sort of mislead you (you’re in the right plot, you just can’t spot the grave). So I went back to the house asked various locals visiting their loved ones (who seemed to have no idea that in fact Dorothy was buried there, let alone where), checked the map again, and this time found the road in FRONT of the lot, where the big plaque showing the statue AND the grave is located. With that, and now knowing what the grave looked like, I was able with some effort to find the grave.
The same graveyard has the graves for Adlai Stevenson (Governor of Illinois from 1948 to 1953, has an expressway named after him) but I don’t care as much about him… He’s just a politician, time will forget about him
One of the things you realize driving route 66 is it developed in stages. There’s the original one, which was generally two lanes and existed in a time when there wasn’t much traffic… then increased usage necessitated wider bridges, or that the road be moved entirely… and then there’s the most recent version some of which I’m beginning to think was organized AFTER the road had been decommissioned, when it started to become a tourist destination.
Apparently, in a fight between the county, which wanted funds from the government to build the new bridge whose rules demanded demolishing the old bridge, and the Kansas Route 66 Association… who clearly wanted it preserved, a compromised was reached. And now the bridge is listed with the National Register, so it will never be demolished, and has since been used as local for filming route 66 specials on TV.
Yet another historic gas station repurposed to take advantage of renewed interest in 66 that the Pixar Movie Cars generated. Every car has been anthropomorphized, and the police car is claiming to be from Radiator Springs. (From what I read they also serve sandwiches and stuff to generate income.)
As is clearly obvious from the photo, it was approaching 7pm by the time I got here, and it was raining, and the temps were dropping precipitously … I think it was already like 47 F according to my car’s “outside” thermometer (in MID October, i.e., unusually cold).
The website I had looked at said they were open on Sundays….AND, I got there on a Sunday (this part of the country seems to close down on Sundays…), but apparently not so much.
I TRIED to see this still functioning Drive-in theater on Route 66. UNFORTUNATELY google maps lied to me yet again… the drive on 66 rather than on the freeway, so slower (especially when you add stops along the way) had me showing up here past 7pm and with it being overcast and raining….
As it turned out, it was actually closed for the season, and THIS was all I actually managed to see of this old-fashioned Drive-in theater (and it was Sunday night and raining, so even if it had been offering a movie it wouldn’t have been showing anything that night). That said, this section of 66 is profoundly back roads and rural. VERY little traffic and more than a few deer (be careful). AND the temperature were dropping. By the time I finally managed to get to gas station (I was in dire need of a pee) the RAIN, as in floated in the air was clearly behaving more like tiny snow flakes than rain… so from that point on I opted for the highway as the much safer option to get me to my hotel.
I’d also driven right past The Gay Parita Sinclair Station on Route 66 (they got a National Geographic write up!), but it was SO dark there was nothing to really see or take photos of… no nice neon or anything
Per the suggestion of a friend, and one of those “places you need to check out on Route 66 lists” I stopped for a meal at the Rock Cafe in Stroud, Oklahoma. Not only is the Cafe original to the 66 experience (the place has been there since 1939, and used to be a Grey Hound Bus stop), but when the Pixar folks were doing their Route 66 road trip as research for the animated movie Cars, they came here, and so fell in love with the place’s owner, Dawn Welch, a Route 66 restoration activist who had moved to Stroud and bought the restaurant in large part to help resurrect the town… that they based one of the main characters for the movie on her; namely, the animated character Sally Carrera (shown as a blue, 2002 Porsche 911) the owner of the Cozy Cone Motel, who serves both as the love interest of/and protagonist against Lightning McQueen, was based almost entirely on .
I found YouTube video by her, where you a taste of what the Pixar folks saw
That said, she wasn’t there the day I visited, and odds are you won’t meet her either… so lets talk about the restaurant she owns.
I found the menu of the Rock Cafe to be far more upmarket/chef driven than I would have expected based on most of the other historic eateries in town (and more than a few of the dishes made me wonder about the German Heritage of Stroud)
Of course anyone know knows me well knows which of the items on this menu I went for (although I admit the Jagersnitzel & Spaetzle with cheese were calling to me)…. but I opted for food more in line with my dietary restrictions (low fat)
The Buffalo burger was ok. The meat patty was thin and crunchy rather than thick and juicy, and the amount of mustard they put on completely overwhelmed the flavor of the meat (which should have been the star of the dish). But it had a good bun…
After eating I checked out the gift shop and IF they had offered this T-shirt on a more feminine cut shirt (a V neck or a scoop neck) I would have purchased it…. but they didn’t.
It’s the Sally Carrera character that’s based on the Rock Cafe’s owner, in front of the cafe and a route 66 sign. (I’ve emailed the owner and she’s agreed she needs some women’s versions, hopefully she’ll get back to me when she has one and I’ll buy it on-line).
The king of the road Is no more….‘tis sad. NONE of the web sites that I looked at told me this, heck even GOOGLE… which knows all… didn’t tell me this (when I was charting the trip… between then and now someone informed them, so this closure must be pretty recent) … So when I got there I was pretty nonplussed to discover an empty building with blocked out windows, and when I peaked in all I saw was an empty room.
That said, I was going to seriously cheat on this one anyway. My mom used to bake, that was until she discovered the Sarah Lee factory that was about a 15 minute drive from our house that had an ACTUAL outlet store that sold items that had failed their “perfection” tests… so like the icing was lopsided or the crust was not perfectly flat, etc., which they then sold at a deep discount. From then on, she just bought their stuff and presented it as her own work. That said…
Think of it as a memory of things passed … (pun intended)