I love London. My dad grew up there and my family spent so much time there during summer vacations — not to mention my semester at London’s Royal College of Art — that I feel it’s my second home. So, growing up we did most of the MAIN tourist things… so when I go there I tend not to aim towards those sorts of things any more than I would in home Chicago. For me, London is and always has been about theater! (My mom loved theater so much that she often took us to two shows a day, and occasionally crammed in three). The third show I saw was possibly my favorite. I LOVED Come from Away!!! Honestly I saw a LOT of theater during this trip and this was my favorite show so far. I loved it so much that I not only bought the entire album (and listened to it a few times) but I went on to social media and told all my friends they HAD to see it, and am considering seeing it a second time.
If I can’t see it again in London I MIGHT even try see it in Toronto (where it’s also showing as an extended stay because — well how many hit musicals are about Canadians?) if I can swing a trip up there. The show was originally a conceived of by the Associate Dean of Sheridan College in Oakville, Ontario. He contacted a husband and wife writing team who had already done a show he knew of, and sent them to Gander, Newfoundland, where a ten year reunion was about to take place for the 7,000 airline passengers — who had been diverted there during the events of 9/11 (because US airspace had been closed to all commercial traffic) — and the locals who hosted them on a moments notice.
The intent was to interview them, collect their real life stories and from it to construct a show about the what happened during 9/11 from a different point of view, a more uplifting one. (The above video is the writing team and the Dean talking about what they created and why.) The show was first produced as a college production, but then was quickly picked up various small but influential theater groups, working up the food chain so to speak. However, before it opened on Broadway on March 12, 2017, and became a critical and box office success, the cast and crew brought the show to Gander itself.
Come from Away came to the London stage in February of 2019… and I saw it in July of that year.
With only a few exceptions all the actors in the above performance were the same ones that I saw. As this next video shows, the show which only won one Tony award, after being nominated for seven, including Best Musical in New York, the show went on to win FOUR Olivier Awards for its London production.
My ticket, which was purchased the day of show was pretty spectacular… I was in fact almost sitting TOO close, but it was wonderful. As luck would have it two Canadians were sitting besides me, and since I’ve spent more than few months in Canada at this point, we were able to jointly laugh at a lot of insider jokes that you won’t quite get if you don’t know Canada.
While I loved pretty much every song in the show, although hands down my favorite one was this one (again the video shows same actress I saw perform it)
So… I’ve said this before, but in case you’ve not read that post… first rule of London theater, as taught to me by my parents… is, unless there’s a specific show for which you’re willing to pay full price, you’ll want to start out by going to the Tkts Booth in Leicester Square…. London has a very competitive theater scene, just like New York, so anything showing in a major theater is most likely very good. On the way there you’ll pass any number of store front ticket booths advertising them as THE half price ticket booth… keep walking. None of them are. Their What’s on Sale screen, behind me in the picture above, will tell you what tickets they have that is on deep discounts (usually 30 to 50% off). You can also buy tickets for two days out… so tonight, tomorrow and the next day… but not farther out than that. You can check their website to see what’s available, but you can only buy the tickets at their booth. Half price tickets for the top shows are ONLY available either at the box office doors of each individual theater, where you stand in line on the day of up to time of seating, but with no assurance of actually getting a seat … or here at the TXTS booth. (How do you want to spend your vacation time?) Personally I haven’t got that much time. This way is easier, and profits from the ticket sales at this venue rather (than ending up in corporate or private pockets) go towards the Society Of London Theatre, which supports the theater community in a myriad of ways. (So you can feel good about your purchase).