London West End’s production of: Matilda, the Musical – not my favorite

I love London. My dad grew up there and my family spent so much time there during summer vacations — not to mention my semester at London’s Royal College of Art — that I feel it’s my second home. So, growing up we did most of the MAIN tourist things… so when I go there I tend not to aim towards those sorts of things any more than I would in home Chicago. For me, London is and always has been about theater! (My mom loved theater so much that she often took us to two shows a day, and occasionally crammed in three). Matilda is a show I’ve been wanting to see for a while, so I was excited to see discount tickets available there. Its based on the Ron Dahl classic children’s novel, I’ve read it more than once, and the songs were written Tim Minchin who I’m a huge fan of and have actually written about before, AND its award nominations and wins are as long as your arm… so I was seriously looking forward to this…. but … not so much, sadly.


So… I’ve said this before, but in case you’ve not read that post… first rule of London theater, as taught to me by my parents…  is, unless there’s a specific show for which you’re willing to pay full price, you’ll want to start out by going to the Tkts Booth in Leicester Square…. London has a very competitive theater scene, just like New York, so anything showing in a major theater is most likely very good. On the way there you’ll pass any number of store front ticket booths advertising them as THE half price ticket booth… keep walking. None of them are. Their What’s on Sale screen, behind me in the picture above, will tell you what tickets they have that is on deep discounts (usually 30 to 50% off). You can also buy tickets for two days out… so tonight, tomorrow and the next day… but not farther out than that. You can check their website to see what’s available, but you can only buy the tickets at their booth. Half price tickets for the top shows are ONLY available either at the box office doors of each individual theater, where you stand in line on the day of up to time of seating, but with no assurance of actually getting a seat … or here at the TXTS booth. (How do you want to spend your vacation time?) Personally I haven’t got that much time. This way is easier, and profits from the ticket sales at this venue rather (than ending up in corporate or private pockets) go towards the Society Of London Theatre, which supports the theater community in a myriad of ways. (So you can feel good about your purchase).


So, like I said, the second show I saw was Matilda, a hit broadway show based on the Ron Dahl story — that was also made into a movie — of a scary brilliant little girl born into a family that that places no value on being educated, especially with regards to women. Matilda not only has taught herself to read by the time she’s able to walk and talk, but by the time she’s old enough to attend school she’s already reading Dickens and Tolstoy in the unabridged versions. I really wanted to see this show because the music was written by one of my favorite comedic singers, Tim Minchin, who wrote the song I referenced in my other post about the Loud Fence in Ballarat (a protest against the Church’s sexual abuse scandal).

All of that said, I none the less found myself getting a bit bored and irritated while watching this show… It does have some VERY good songs… good enough that I downloaded them (the good ones) from iTunes, in particular I loved this song:

but on average I wasn’t thrilled by the rest of the show (quite a let down because like I said, huge Tim Minchin fan). This song for instance really didn’t do it for me, even though it is in fact better (in my opinion) than some of the other ones….

That said what really annoyed me the most was when the show went completely off book, creating a new storyline that didn’t fit and added little to the story — which is kind of a children’s classic. This was a series of vignettes of Matilda making up a story for her favorite librarian. In fact the ONLY justification for it I could think of was that MAYBE they were concerned about the child employment laws and how many minutes the child actors (other than Matilda — I have got to think there’s some special case written into the law for the leading character) would be on stage.


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