Located in what once was the laid-back Dairy town of Matamata, New Zealand (NZ), is the movie set turned tourist attraction, Hobbiton. It is a must see for any fan of Peter Jackson‘s Lord of the Rings (LOTR) movie series, of the J. R. R. Tolkien books of the same names. From an economic standpoint, this single tourist attraction, which happened almost by accident, has become the “flagship” for what is now the impressive movie-tourism industry that has evolved in NZ over the past 20 years. As a result, visitors can swing through the entire country on any number of “see all of the LOTR locations in 14 days” type tours, (most of whom also throw in a taste of Māori culture for good measure). However, for myself, I prefer to take my time when traveling. As such I suggest spending the night in or near Matamata, and timing your visit so that you can attend a Hobbiton evening Tour and Banquet, which only happens a few times a week — all told, for any Tolkien fan, it’s well worth the price (and the food ROCKS!!).
[I need to do a quick shout out to the Hobbiton staff who worked “on set” on the evening of March 3, 2019. They are all amazingly well-trained customer service wonks who all seemed to love their jobs and not only never squashed our excitement, but rather actually aided our enjoyment. None of them were “phoning it in” so to speak. While the whole thing was impressively well choreographed (looking at youtube videos I see the same thing over and over), none of it FELT rehearsed or false. The whole time I felt as though I were being led through the set by friendly folks who seemed to genuinely enjoy our excitement to be doing it (like great teachers are) … And the food was not only delectable, but just enough to make sure everyone who wants seconds can have them (with just enough left over to feed the pigs); while not so much as to be a waste, etc,. That, and the timing of the meal was also perfect, so that no one ever felt rushed. BRAVO on a great performance! That said, shame that some of the staff at Shire’s rest aren’t that good, although, but, on second thought… maybe that’s why they were delegated to that location and kept off set.]
Let’s be real, if you’re a nerd/geek like I am, your number one motivator to go to New Zealand was probably to see the 12 acre Hobbiton movie set. Other than for that, it’s hard to think of what other reason might have drawn over half a million people to the small town of Matamata in just over 10 years. Even the town itself recognizes this reality, to the extent that their welcome sign says “Welcome to Hobbiton” in BIG letters, and only refers to itself as Matamata in the small print (see first image above)….Most tourists coming here believe the set, is simply what was left behind from when they made the LOTR movies back in the early 2000’s, but the truth is a bit more complicated.
Peter Jackson chose to build his Hobbit Shire in this general part of New Zealand because the region’s natural landscape of green rolling hills already conformed with his mind’s eye vision of the shire, as described in the books. In essence, the local topography is grass-covered sand dunes. This is why the area mostly supports things like dairy and wool production, as it is great for feeding livestock but less so for planting. While sandy soil is good for growing things like root vegetables and corn, that is only when the land is generally flat. With hills like these, any farming of that sort becomes difficult. Driving past the other farms that encircle the movie set area you quickly realize that this Hobbit like topography is NOT special or limited to the small farm inhabited by the movie set; the below image for instance was taken along a road about a 20 minute drive southeast of where the Hobbiton set is located, and could just have easily been chosen.
According to the Hobbiton website, construction of what was intended to be 39 temporary hobbit-hole homes began in March 1999, and filming started in December of that same year… and lasted only three months. Once filming completed in early 2000, they began to tear down the set (as had been set forward in the initial contract) but then the rainy season began, which put a halt to the process. During that time the owner of the farm began giving private tours to friends and family, but word got out and then strangers began to trickle in, wanting to see Hobbiton with their own eyes (only he didn’t have the legal permission to allow that, let alone charge for it).
As such, the owner changed his mind and negotiated with the film company to stop the dismantling of the set, which left a bunch of empty holes in the ground and only 17 plain white plywood facades in place [click this link for an article with images of how it looked then]. The negotiations to turn it into a tourism business took about a year, and included the stipulation that the studio earn a percentage of the money from every tour given. When finally completed in 2002, formalized tours of the movie-set began, and a former sheep shearing building that belonged to the owner was retrofitted into the “Shire’s Rest,” an area where tourists assembled before being taken onto the grounds proper.
The following are clips showing how this whole location, which took a lot of money to build was actually only used for a few short minutes in the films….
Keep in mind that Hobbiton is JUST the exterior shots, all interior ones happened in an entirely different part of New Zealand, in a film studio.
Among the people in my tour group were an older couple who told me that this was their third visit to the site. Their first had been back around this time in the early 2000’s, and that at the time the whole thing looked more than a bit dilapidated… with bits of plywood where the doors had been … sort of like a boarded up Hobbit ghost town, and yet, the tourists came… but they claimed that this had not dampened their excitement at the time to be able to see it, even with weeds growing everywhere, etc.
When the studio returned to the site in 2009, asking if they could use the land again for the filming of the second trilogy which focused on “The Hobbit” (released in 2012, 2013 and 2014), the owner agreed, with the “price” being that this time rather than using materials intended for temporary film sets, all of the Hobbit holes had to be built using quality materials — and that they be left in place afterwards to support his now ongoing tourist trade. The rebuilding proceeded in 2010. At that time, since the location was now going to be a much more central feature to the films, five additional Hobbit Holes were added. (As I showed above, in the first trilogy the shire was only visible in the movie for a few minutes) When filming began again in 2011, actors commented on how the location, rather than showing any of the tell-tale signs of being a movie set, now looked like a real, but idealized, village where people lived and worked. This in turn, increased the value for visitors ten-fold, and like Disney World adding a new ride, word of mouth about the improvements generated not only return business, but new interest as well.
However, at that time, no “tourist facilities” existed within the movie set area itself, which the ever-increasing number of attendees made problematic. If you needed bathrooms or snacks, those needs could only be fulfilled back at the Shire’s Rest facility, before or after your visit (or porta potties, YUCH!). So in 2012 The Green Dragon Inn was built; it is an exact replica of the Inn, as seen in the movies. This final ‘destination building’ not only provided bathrooms, but solved a major complaint of tourists up until then.
As our guides made a point of telling us REPEATEDLY, Hobbiton was only built to provide exterior shots for the LOTR movies, and all interior ones were done at a movie studio, so “no, you can’t go into any of the hobbit homes” (let alone ask to use their bathrooms); and even where you could step in, what’s behind the door is not a real home (see images below). The Green Dragon Inn filled that gap in the experience by giving tourists the much longed for chance to enjoy a hobbit interior. As such, the Dragon acts as both the conclusion and the “HIGH point/climax” of your visit. It is both a place where tourists can have that experience, while having a rest (for a very limited time before being shuffled off the set again). There they are given one free drink of their choosing (from their special brews, for sale at the Shire’s Rest and at other gift shops in Matamata), and the option to buy more drinks, and/or a snack (or use the bathroom). BUT, as I said, on the normal tours your visit to the Inn is VERY limited, about 10 minutes tops. So signing up for an evening tour that includes the Banquet is the ONLY way you’ll be allowed to truly enjoy it at your leisure.
However, Hobbiton is just the flagship/main attraction, for a movie based travel industry that has evolved in the nation. What I’m about to say is a bit bizarre, and might offend some New Zealanders … but bear with me…. Between the two existing trilogies there are already 170 LOTR filming locations scattered around NZ’s two main islands, arguably at least as many locations to see as there are ‘things to do’ at Disney World — the world’s most famous movie-based attraction (if you include all the shuttle ferries, stuff to see at the hotels, etc). And both offer no shortage of tour books and web sites to help visitors discover where each and every one of those ‘attractions’ are and how best to appreciate them. Only while the excitement offered at Disney tends to be more passive (you sit, and are taken through something), New Zealand’s LOTR attractions, like Tom Sawyer’s Island or most of Paris Disney, are all walk through experiences, only with a lot more exertion required, trekking and mountain climbing, etc., and a lot fewer rides (think the tour busses). So it is in fact comparable, albeit different.
So for example, Mordor’s Mount Doom in LOTR is actually Mount Ngauruhoe, an active stratovolcano, that is one of the two such peaks located within Tongariro National Park; and like ALL mountain tops in NZ, it is a sacred place to her Māori people, and as such, by law, you are NOT allowed to drive to the top without first obtaining special permission. In fact, if you look at the google map for the place, while there are dirt roads going by it (accessible for those with mobility problems only if you rented a 4-wheel drive, and got official authorization in advance), there are in fact no roads that go up it; so if you want to see it your options are to hire a helicopter to fly you over (like I said, a movie-travel industry), or even more popularly, you can find local lodgings and choose to spend a full day hiking to the top. Oh, and if you want “shows” like at Disney, I suggest Māori cultural experiences. For myself, I STRONGLY prefer taking the time to relish things, and if I ever got the capacity back (unlikely without surgery and PT) would totally hike it.
That said, the reality is, you actually don’t need to pay for a group tour to take you to see the LOTR sites/sights if you don’t want to, nor even buy a book on the subject to help you plan your trip. If you’re not someone who’s into pre-planning, you can in fact just impulsively fly to NZ, and figure it out as you go along. To paraphrase the New Zealand tourism board’s website, there are over 80 i-SITE visitor information centers scattered around the country, many of them located in distinctive or historic buildings (like the one above). In them you will find no shortage of pamphlets, and trained professionals, who can inform you about everything there is to do in any particular area you’re currently in, including which parts were film locations. And, of course, while in these i-SITE centers, you can do some souvenir shopping — as I’ve yet to find one that doesn’t have a gift shop.
The government clearly knows from whence its tourist prosperity comes, and embraces that connection to Lord of the Rings, especially in Matamata. The town’s i-SITE building was even built to look like a cross between a traditional British home, and a Hobbiton one (note the round doors). While you COULD book your tickets here, in this particular case I REALLY don’t suggest leaving THAT to the last-minute. As mentioned repeatedly, Hobbiton is the flagship attraction to a WHOLE industry, and demand is high while availability limited. The set can only accommodate a finite group of tourists per day … particularly if you want to take advantage of any of the “tour and a meal” options. So seriously, book ahead for this part of you LOTR’s tour of NZ.
While the Hobbiton tours began officially in 2002, in what was a half-broken down movie set, by 2012, after the repairs and upgrades had been completed (including the Green Dragon Inn) it had become enough of an attraction that it had 17 full-time people working on staff, and by 2013, attendance was said to average about 400 to 600 people daily, with as many as 2,000 showing up at the peak of the season; so, somewhere around 220,000 visitors annually, a number which increased to 350,000 in 2015. Tours usually leave Shire’s Rest for the movie set every half hour (you can NOT enter the set on your own, you MUST be part of a tour) and, each of those lasts for about two hours. On average days, the last tour starts at 3:30, and on peak ones their hours are extended by just one hour, so that the last regular/no meal tour starts at 4:30. And, when they say pre-booking is essential, they mean it. As such, I would NOT expect to show up at the site, or even at the i-sight center the day of (or even the day before) and expect to be able to just walk on… unless you are very very lucky. I booked my ticket for the banquet tour a good three weeks in advance… during the OFF season, and there was already only limited seating available.
One of the things that really amused me when we got to the Shire’s Rest parking lot was the sheer number of Jucy vans parked there… for those who don’t know, this company was founded in Australia initially as a campervan rental company (vans converted into campers), although they’ve expanded into renting cars. For the most part (although they’ve come out with some subtler ones recently — note the plain white ones in the upper right image) these rentals tend to be pretty hard to miss. Most of the vans are the garish green you see above, while others are covered in what looks like graffiti art with off-color images and messages written on them. For those, you’ll rarely see two exactly alike. Their business model is to provide small, energy-efficient, well designed and highly functional, camper vans… at an affordable price. Their product initially was aimed at the backpacker crowd (young travelers), but as they’ve expanded into the family market they’ve toned down the exteriors of their rentals. If you want to do a LOTR tour of the island on your own (not part of a 14 day tour group), then you might seriously want to consider renting one of these.
Adjacent to the parking lot you’ll find this small Information building, where those who have already reserved their tickets on-line (i.e., pretty much everyone) are asked to check in. (The window off to the left is a small ice cream shop.) When I was booking I wanted the longest stay possible, once I discovered that you’re NOT allowed to wander around the place on your own. I considered both the Tour & Meal combo, and the Evening Banquet tour options, but the former appeared no real competition to the latter. The “meal” option puts you into a tent that’s ADJACENT to the Dragon Inn (NOT inside), where there’s a Buffett… i.e., standing in line with lord knows how many other people to fill your plate. This option lasts for 2.5-3 hours (2 hours for the tour, and then about a full hour to eat). While the banquet option involves sitting down to an already drool worthy, family style laid out table where instead of being in a tent you’re comfortably INSIDE the warmth and comfort of the Dragon Inn. AND not only do you get to see the shire during the golden hour, with the sun setting over the hills, but you also get led through a 2nd time, late at night. So you see it in daylight, and you get to see it lit up by candlelight (well electric, but close enough). The Banquet tour is the longest visit option, lasting about 4+ hours: 2 hours for the tour, and then about an hour and a half spent at the inn, followed by the 2nd walk through the shire at night….. more details to come (see below).
Once you arrive at the Shire’s Rest, originally the farm’s sheep shearing and wool shed building, which was retrofitted to its new purpose, there are sufficient things to do that, while you’re REQUIRED to arrive 15 minutes in advance of your tour’s departure time, you might want to get there a full half hour before that.
To the right of the building (image above) is a small shaded area of benches and ropes, where you line up when it’s time to load onto the busses. The first floor of the main building holds the ticketing center, and a gift-shop selling a wide variety of LOTR “stuff” (most of which is available from online sellers). My tendency when it comes to places like this is, I window-shop the shops, but don’t buy. Having worked as a catalog photographer back when I was in my 20’s, I know full well how good we were able to make piece of crap items look in the photos… so before I buy I want to see the items with my own eyes. However, places like this tend to be overpriced and rely on your excitement about the visit (impulse buying) to drive sales. So, I take photos of the stuff that interests me (try to get the name of the producers, etc.) and then try to find it used on eBay. Probably the only location specific items I’d seriously consider buying here are the postcards, and the LOTR themed Southfarthing™ beverage range, of Middleearth wines and such, which can be purchased here, or at the i-SITE center back at Matamata, or at the Green Dragon (but that are NOT available on-line… I’ve been looking, no luck)… and of course there are clothing items to be purchased made of local wools.
Upstairs on the building’s 2nd floor is a full service cafe that will provide you with cooked foods and hot coffee until 3pm, at which point their kitchen closes. Here is where you can find “second breakfast,” lamb burgers, and fish and chips. After 3pm, any already prepared foods that are still in the refrigerated case are available for sale, until the close of business, but nothing hot. Apparently, Shire’s Rest’s kitchen is also available to cater weddings, functions and company events.
Adjacent to the main building is a smaller establishment called the Garden Bar, which offers outdoor seating only, and sells wine, beer and a small selection of nibbles. There are bathrooms adjacent to both the bar and the cafe. When it’s time for your tour you assemble in the area I described before, and are loaded up into busses and vans.
If you’re given a choice (you might not be) the difference is this: The busses have a built-in video system where you’ll be shown a composite movie timed to last the entire trip. It is made-up from all scenes shot in this location, and all six LOTR movies, so that when you arrive you’ll have been recently reminded of what you’re looking at.
The vans do not have this system, and instead there’ll be a tour guide who will recite to you about all sorts of facts and figures about the location (which I assume the movie also does), and will point out the one film location the busses pass (the one in the image above); the guide however can do something that the movie can’t, i.e., answer any questions you might have. I was in the van. The location above, if I recall correctly, was where the wizard Gandalf and the Hobbit Frodo pass through, while riding together on the wagon when traveling towards the shire at the beginning of the first trilogy.
Once you arrive on the set proper, the entire group from all the conveyances will collect together and be given instructions of what you can and can not do: where you can walk, etc. The group will then be broken into manageable subgroups, each with its own guide. The groups will all take slightly different paths so that there’s never too many people in one place at one time, but all of the groups will ultimately see all the same things, but will come at them from different paths.
According to a Forbes article from 2012, the making of the Lord of the Rings movies in NZ has touched the lives of each and every New Zealander, whether they realize it or not. Firstly, NZ is a place which, back when I was in high-school in the 1980’s I remember being laughingly described as having more sheep than people, and not much else. As a result, (and this excludes the people who have moved to the country in the 15 years since the movies came out) pretty much the entire population found themselves at one degree of separation from the film’s production.
Firstly, from a country of 3.88 million (at the time) about 20,000 locals were hired as extras to work in the films (about 1/16 of 1% of the population) — BUT if the average Facebook account is any measure — limiting it to those who will only friend people they know because of face to face interactions — each of these have about 450 friends, family and co-workers each… and 20,000 X 450 = 9 million…. far more than the 3.88 million of New Zealand’s population in 2001. But the hiring of local resources in the making of the film didn’t stop there by ANY measure…
According to this site, 1,200 suits of armor, 1,600 pairs of prosthetic feet and ears were made and used along with 2,000 weapons to recreate the battle scenes — and even if these were made abroad and imported, all of these had to be handled, organized, and distributed locally… which requires manpower. (The following video, which clarifies a lot of misunderstandings about the story that are held by people who’ve seen the movies but not read the books, includes a scene where two people are struggling to get a prosthetic hobbit’s foot onto an actor’s real one — its worth watching)
And the hiring did not end there; according to one of the officials for Tourism New Zealand whose job it is to focus on people arriving from abroad, Gregg Anderson “During a fight scene in Return of the King, I can see my niece’s horse.”
Additionally, according to the same source, in order to create Hobbiton, 5,000 cubic meters of vegetable and flower gardens were planted a year before filming. According to our tour guide while MOST of Hobbiton is natural landscape, the homes did need to be dug into the hillsides, and some of the contours of those hills were changed subtly to support the lie that there were homes within them…
As already mentioned, only a few of the doorways built into the sides of these hills actually lead to any sort of interior space. In such cases, there is usually JUST enough room for an actor or actors, to open a door and walk in or out (see the image below) … MOST of the doors in Hobbiton are just exterior facades leading to nothing– although they all had to LOOK like they are doors of actual homes that lead to something.
The above home with the Red door, was the ONE such accessible space that tourists to the Hobbiton set are allowed into. There was enough standing space inside for maybe three people, if one of them was crouched… and the tour guide sort of lined us up so each of us who wanted it could get a picture of themselves standing in the doorway.
In each of the cases where the door opens to an actual space (as in actors must be able to enter), only enough of the interior is decorated as was necessary to support the illusion when said actor opened the door and the camera peered through it, if only for an instant. The above is Bag End the home of one of the main characters, Bilbo Baggins, the elder Hobbit who is in possession of the ring at the beginning of the initial LOTR movie trilogy, and the protagonist of the The Hobbit, the second movie trilogy. And as you can see, if you look through the doorway, you are given the impression there’s an actual hallway behind it… This however is the least impressive of the illusions of the set…
That reward goes to the large tree above Bag End … it is a FAKE tree!!! While in the original movie there was a real tree there (although apparently even that was a cut-down tree used for the filming), what currently stands is a smaller replica with silk leaves. This is because of continuity issues in film making. When they filmed the original LOTR, they didn’t know it would be SUCH a big hit, or that they’d be filming The Hobbit a few years later. The first trilogy filmed (LOTR), in the fictional time-line, happened 60 years AFTER the story that happened in the second trilogy, The Hobbit (confused yet?), and trees GROW quite a bit in 60 years. As such, for the Hobbit (60 years before), that tree (which had been seen in the LOTR) had to be a smaller tree, requiring that they shrink the tree in order to maintain continuity… with no way to find a 2nd smaller tree to cut down with exactly the same sort of branch pattern as in the first trilogy (no two trees are exactly alike). SO, it was just easier to make a fake one! Movie Magic!
Another illusion manufactured at the location has to do with the size of Hobbits. According to Tolkien, hobbits are supposed to be between two and four feet tall, so the biggest are a bit shorter than the small boy in the pink shirt. I on the other hand stand 5’4″. The reason there’s such variation in the size of the doors is to manufacture the lie, with door sized calculated to falsify the impression of size the various actors had to create vis-à-vis the characters they were playing.
Returning however to the economics of the thing: The (so far) SIX Lord of the Ring movies (which together cost slightly over one billion to make) were all major world-wide hits whose combined releases have to date generated $5,886,273,810 in worldwide box-office revenue. Because of the various businesses that have developed to support both the film industry and tourism, the massive success has gone on to have a long-term economic impact on the country of New Zealand that can not be overstated. As evidence, the positive impact of the first three LOTR films on NZ’s economy was enough to ensure that the government has not only gave Peter Jackson some controversial tax breaks, but also changed local employment laws in order to ensure that he didn’t keep to his threat of moving the Hobbit and all other future movies to cheaper locations.
Currently tourism is New Zealand’s second largest industry after Dairy. Ask any of the long time locals and they’ll admit that Peter Jackson’s choice to use their country’s topography as the backdrop for his movies did more to advertise those natural wonders, and hence to put their nation on the tourism map, than ANY amount of advertising done by their government.
Between the LOTR’s initial release in 2001, and 2012, the country saw a 50% increase in tourism, and even though only 1% of travelers (in 2012) said the movies were the ONLY thing that drew them, 6% of those asked admitted that the movies, and seeing the locations with their own eyes was one of the motivators for flying there — which accounted for about $162 million USD in tourism dollars. Even among those who were NOT motivated to travel to New Zealand because of the movies, 80% of them knew the films had been and were continuing to be filmed there, because of her unique natural wonders, a knowledge which helped them to see it as a desirable tourism destination.
That said, the fact is that Peter Jackson, COULD have filmed all of his interior scenes anywhere in the world, but because he chose to shoot all of them in his home country of New Zealand, and then insisted on doing all of the post production work there as well … at Weta Digital (a special effects house he founded) and at Park Road Post (formerly a small state-owned post production facility, but now a large one owned by Jackson) in Wellington — sometimes referred to as the house Frodo built, and due to Jackson’s influence now considered by some to be the best in the world … all of this together helped to build film facilities within the country that are now a 3 billion dollar industry NZD (New Zealand dollars).
As mentioned previously, back in 2013 there was apparently some upset when Peter Jackson had threatened to move the filming and production of the Hobbit trilogy to places like Eastern Europe, etc., where it could have been filmed more affordably. By doing so, he successfully blackmailed the country’s government into not only coughing up $67 million NZD in tax breaks for his production, on top of having already in 2010, having had the country’s employment laws changed to his likings. The ‘Hobbit law’ — officially called the Employment Relations (Film Production Work) Amendment Bill resulted in a lot of outcry not just from actors, but also from the nation’s workers at large. This change in the law barred anyone working in NZ’s film industry from collective bargaining, and stipulated that any actors working in film production would be listed as contractors, unless they signed a contract that explicitly listed them as employees, i.e., sort of a BIG DEAL from the point of unions, etc.
One has to keep in mind that just the parts of the film industry that evolved out of LOTR had in 2016 added $1.015 billion to NZ’s real Gross Domestic Product, so clearly, those tax breaks were paid back, with interest, and that was only about 1/3 of NZ’s entire $3.3 billion in revenue earned from the screen industry at large for that same year. In part this is because the LOTR franchise helps to supports 2,700 other businesses (carpenters, costumers, set catering, etc) …. businesses that can then go on to serve other productions in the movie industry, and whose very existence make NZ a more attractive alternative to movie makers in general, including the new online-TV production companies like Netflix and Amazon…. it’s a rising tide that lifts all boats, so to speak.
And, the cream in that coffee is that most of these jobs are supported to the tune of 80-90% by money from the film budgets of FOREIGN companies (not NZ tax dollars), the majority of which come from Hollywood that again feeds money into the local NZ economies. All of this LOTR prosperity may account for why the New Zealand post office released stamps with the Hobbit characters on them, and Air New Zealand has two planes decorated with a Tolkienesque theme. And things like this:
This also explains why, in 2018, the new government had under pressure given in to taking a look at making changes to the Hobbit Law, while refusing to repeal it entirely (which is what their constituency had wanted); and this rejection was in spite of being WAY more liberal than the previous government. As a general rule, no government is going to ‘kill the goose that’s laying the golden eggs’ without extreme provocation.
Another VERY important point to know (that would surprise most people), is that while New Zealand’s economy is ranked first in the entire world for its socially progressive policies, and has a reputation for being one of the cleanest and greenest among the First World/western block, high income, Organisation for Economic Co-operation and Development (OECD) countries…. the reality is that it is, ironically, also the most DEregulated government within that institution. This is the result of the economic policies of Roger Douglas, who was NZ’s Minister of Finance back in 1984, as part of the country’s Fourth Labour Government (1984-1990). Known as Rogernomics, a hat-tilt to Ronald Reagan‘s Reaganomics, he had instituted a set of neoliberal economic policies, the most important of which from the perspective of this piece, was an almost complete deregulation of NZ’s industries.
Deregulation is almost always a good thing…. in the beginning. According to one study, between 1978 and 1998 employment in NZ increased by 50,000 jobs, an increase of 2.6% in a country that at the time had a population that grew, during that period, from 3.121 million to 3.8 million, and kept growing to today’s 4.794 million, all of which demanded a LOT of new buildings to go up, especially in city centers like Auckland. Keep in mind Peter Jackson began building the Hobbiton Movie set within this deregulatory economic context, in 1999. Of course the downside of deregulation is shoddy construction, increased pollution, etc.
I had my first hint that something of the sort was going on during my first days in the country, when we were at our Airbnb in Auckland. At the time I had commented to my travel buddy on the high number of newly constructed buildings that (to my well-traveled eye) looked like Asian construction. Architecturally, there’s all sorts of decorative devices you see in Asia that you’ll never see in the west, for good reason. Back when I was in my 20’s I did an internship with a Japanese ceramics firm that among a plethora of other things, made the easy to clean decorative tiles you see lining the sides of Japanese buildings. When I asked my boss why they didn’t expand into the US market, he told me, “We can’t. Those tiles are only stuck to the sides with a sort of glue, and they have a tendency to fall down from time to time and hit people in the head. In Asia, that’s no big deal because if it happens the victim’s family looks on it as just being bad karma. In the USA you blame the company for unsafe building practices, and it ends up in a massive lawsuit.” And then of course I lived in Korea for a few years, so I’m more than familiar with this sort of pretty but questionable construction
One day as I was stepping out of that same Airbnb (in Auckland), I came across a real estate saleswoman trying to sell an apartment in our building to this young guy. He was clearly annoyed and wanted to know if she had anything NOT in this building. Out of curiosity I asked her what was the place they were selling and the price, it was about $200K USD, which struck me as suspiciously cheap for a one bedroom in a high-rise apartment in the middle of any downtown, let alone in the nations largest city. She admitted the building had “problems.” I asked what kind, and she admitted it had all sorts of problems, not just one or two, and that the owners might not be able to fix any of them although they were trying. The price was so low because you needed to be able to pay in cash as no bank would give you a loan to buy a place in this building… In other words, these beautiful new buildings in downtown Auckland, most of which looked to me like Asian construction, were in fact, of … probably Chinese construction. Again, what happens when you deregulate the construction industry…. is builders don’t do what they’re not absolutely required to do… which can lead to problems.
But in the land of deregulation well…. it’s a double-edged sword. But for the deregulated environment, I doubt that Jackson would have had it so easy making his film here, or building his post production companies, and quite likely Hollywood would have pressured him into making the film elsewhere.
And but for his having had done all that in New Zealand, we’d not be having this conversation. Additionally, had regulations existed, its questionable if Hobbiton as a tourist attraction would have been legally allowed to develop in the haphazard way it did, as things of this sort normally have to jump through any number of regulatory health and safety hoops…. like it not having a bathroom for the first 10 years of its existence … So… there’s that.
Returning to the tour: After an unexpectedly long wait, during which folks explored the area and took lots of pictures (see the ones above)… we were all brought together in the bar area, where a pair of heavy velvet curtains hid the dining room from us. We were asked to PLEASE not take pictures until we were seated at our tables, although they understood the temptation, because if we did the food would get cold and they promised that there’d be plenty of time to inspect the room between our main course and the desserts.
They then made a big To-do of opening the curtains, asking for volunteers from the group to do the big reveal (the two women in the photo, bottom left) and we all piled into the room like a bunch of excited kids … (really the excitement in the room was palpable)
That said the spread was HIGHLY impressive not only to look at but also to taste. There were two big roasted chickens which seemed to be of the rotisserie variety and hence very moist and flavorful, a big chunk of salmon that was also not dry in any way, a rlamb shanks that sat on a bed of
There was one tray of roasted vegetables, and a big bowl of roasted cut up potato (with spices) again very good… A green salad which to be honest I didn’t touch… cause with all this… fuck no I’m not eating a salad.
There was also a bowl of mashed sweet potato, which apparently in NZ is called Kumara, and has been a Māori/ Polynesian staple from BEFORE the white man arrived. This is kind of fascinating, again, because the sweet potato is believed to also be a new world food. I looked it up and the carbon dating of some sweet potatoes in Polynesia verified the vegetable’s presence there as early as 1400 CE., so before Columbus’s 1492 sailing. There are two theories, one is that Polynesians were SUCH masters of the ocean that they were already in limited trade contact with South America before the European discovery of the same. Another theory (for which no physical supporting evidence has yet been found), suggests that sweet potatoes might have already been on the Polynesian islands before the first humans ever arrived.
My LEAST favorite dish was a beef stew type thing, which they described as being beef and ale. It wasn’t very tasty (kind of bland actually) and the beef chunks were very dry and chewy. That said, there were other people at the table talking about how good it was, so to quote one of my mom’s favorite sayings:
על טעם וריח אין להתווכח
….which translates to, “on taste and smell there is nothing on which to argue”
What amused me no end was that the Green Dragon’s resident cat came to join us when it was time to sit down to dinner. He (she?) walked around the room, and then spotted an empty chair at our table and jumped up into it. The cat was VERY well-behaved, made no attempt to get at the food and just sat and waited for one of us to serve her — at least until she was spotted by one of the servers and shooed out …
This almost made me cry because I had a cat (R.I.P.) that used to do the same thing. After my mom had died, every Friday night, I cooked all the other nights, my dad made dinner which included his home-made chicken soup. (To die for: the man used actual chicken feet which is the missing secret ingredient for why your soup is never as good as your grandmothers — as almost no one cooks whole chickens anymore.) Our cat would come and sit by the table, wait to be served … he loved that soup… and then went away, having never put his paws on the table, cause he knew it wasn’t allowed.
More than enough time was given to us (and enough food supplied) that you could go back for seconds if you wanted to. Me, my stomach isn’t that big and I wanted to save room for dessert… so when I was done I walked around took some more pictures, allowing me to see some of the area in twilight.
And then once EVERYONE was finished, and not before… One of the great things about this meal was you got no sense of being rushed during the banquet, the waiters came and cleared the tables, and then almost completely reset them to prepare for our dessert. During that time everyone got a chance to enjoy the twilight, or explore the room and all its details. (Not sure where this girl found the map of middle earth) While the trays of dessert were much smaller than what had been laid out when we first arrived, realistically we were all so full from the first course that it was more than enough, and there were leftovers when we were done. (Clearly, these guys have done this before — HAH! — and have the serving sizes down to a science, although the staff does a great job of making their performances ‘fresh’ so that you feel like you’re in a warm embrace of friends rather than being shuffled through something choreographed.)
The dessert tray consisted firstly of a kiwi and strawberry sauce filled Pavlova (one of the national dishes of both Australia and NZ) topped with fresh cream. For those who don’t know, the Pavlova is essentially a large bowl-shaped container made of white meringue, created in honor of the famous Russian prima ballerina of the same name, who was also the first ever to go on a world-wide tour, and was responsible for introducing modern ballet to the world. This tour included Australia and New Zealand, and at the time she was the single most famous performer to ever visit here… so it was a REALLY big deal. In honor of her arrival the dessert was created, but it’s a point of serious contention between the two countries — a sort of tongue in cheek war that is talked about AD NAUSEUM — as to which one did it first … as apparently it was a great minds think alike sort of issue with two different chefs in the two nations coming up with the same idea for the SAME dessert named in her honor
…. because her most famous dance was The Dying Swan, a dance she performed 4,000 times, which involves wearing a white tutu that looked like Meringue.
In addition to the obligatory Pavlova, there was a bowl of seasonal fresh fruit, British Bakewell tarts (bottom of image), butterscotch sauce (in the orange jug, which went REALLY well on the tarts), an Irish apple crumble (top of the photo), a bowl of Yogurt with honey and cinnamon (which at first we thought might be cream but it tasted wrong, and no one really knew what to do with it…), and a big metal jug full of Vanilla custard… which kind of goes well with anything
After the meal was over, they handed about every third one of us a lantern, and they took us on a walk through the set at night. More than a few people supplemented that light with the flashlight function on their smartphones… The night was so clear, and there was SO little light pollution that if you look very hard at the photo above towards the upper right corner, you can see a star!!!
I had NO trouble photographing the night sky with my iPhone’s camera (which generally sucks at low light images) and seeing stars in the image (see above)… because it was SO dark that what my eye was seeing wasn’t just a few stars, it was the Milky Way.
After the walk through they had us form a circle and talked to us about our trip, asking us to remember our favorite moments and hold them in our memories. And then they had all the lights turned off, had us close our eyes for about a minute and then open them and look up… and just wow. IF you’re lucky enough to go on a night when the sky is clear, and I was… just wow… and then those of us who wanted to got our photos taken in front of this one door, which was lit up with a powerful spot lamp
After much searching I found this professionally shot advertisement for the banquet tour… that includes drone shots and (what were clearly directed actors as) tourists… but it shows stuff I could never have accurately filmed, like the night-time walk with lanterns … and the scene of the guy taking a bite out of a chicken leg so enthusiastically that it made me drool
As I’ve already said, I think it’s important to remember that Hobbiton is just the flagship for what’s become an entire LOTR based travel industry. Between the two existing trilogies there are already 170 LOTR filming locations scattered around NZ’s two main islands, enough to necessitate MULTIPLE trips on the part of any obsessed fan who wants to see them all, which can of course include multiple visits to Hobbiton. AND, because of the huge success that was the Game of Thrones (GOT) — which I’m currently bingeing in preparation for the release of the final season next week, Amazon has gotten on the SciFi band wagon and has ponied up a budget of one BILLION dollars for what is being advertised as the most expensive TV show ever made, an original five season Lord of the Rings. This is sure to happen because Amazon has ALREADY paid $250 million to Tolkien‘s estate, just for the film rights, which were given with the caveat that the film HAS to go into production in the next two years
The following is a preview of the new series (although the first 30 seconds is about the wildly successful of GOT and how that influenced Amazon decision. Warning, contains spoilers):
All of which means that most likely not only will the Hobbiton set be closed once again for filming, and hence more changes will be made, but that there are going to be EVEN MORE LOTR locations to be visited in New Zealand, in addition to the 170 that already there. All of which, should the show be as big a hit as the movies were, will mostly likely generate even more increased tourism to New Zealand.
[Note, not that this matters to you guys but, I had spent 3 solid days composing a very detailed discussion with research and backing statistics… which WordPress LOST; I had revised it multiple times, always making sure the software said it had saved it, even quit and restarted the program a few times… each time was told it HAD saved, only to hit publish once I had it all as I wanted… and have the WHOLE thing get erased…. well… but for the title, THAT got saved (I had changed it only about an hour before hitting publish). Many emails back and forth to company later and all I got from them was a “we’re sorry, its not on our servers, must have been a bug with the new update” … YOU THINK!!! Every photo uploaded got saved (and in the correct order), and the new title (which I had only just modified before posting)… but all the text, GONE. So the above is me trying to reconstruct it using my google search history, the photos, in order to try to remind me what I had said the first time. Which took twice as long in part because it was so frustrating]
P.S. I was just watching this 60 minutes show about the making of Game of Thrones, and broke into a cheer when I learned the sets for places like Castle Black are following the lead of Hobbiton. They were built to withstand the elements, and will be turned into tourist attractions. WOOT!
Rebecca Radnor's Personal Blog: Consider yourselves warned! 